Just the latest Roll of super expired home rolled Rescale film that I finally finished in the Minolta x300 Love the light leaks and the overlapping frames

A warm-toned urban alleyway captured in redscale with a Minolta x300, showcasing the unique effect of Kodak Gold 800 film shot through backwards
Exploring the altered reality of redscale film, this photograph captures a Vancouver alleyway in the surreal, warm glow of Kodak Gold 800 shot backwards, taken with a classic Minolta x300

Shooting Redscale, for those that are not fully in the know, is when you load and shoot your film with the wrong side out. So instead of shooting the emulation side toward the subject like normal, you flip it over and shoot through the film backing. You need to take your film into a darkbag or darkroom and pull it all the way out and flip it over and roll it back up.  You also need to shoot your film about 2 stops over (for example ISO 400 film then becomes ISO 100 or another example is ISO 100 film would need to be shot at ISO 25) to compensate for the light lost getting though this backing.

A warm-toned urban alleyway captured in redscale with a Minolta x300, showcasing the unique effect of Kodak Gold 800 film shot through backwards
Exploring the altered reality of redscale film, this photograph captures a Vancouver alleyway in the surreal, warm glow of Kodak Gold 800 shot backwards, taken with a classic Minolta x300
A warm-toned urban alleyway captured in redscale with a Minolta x300, showcasing the unique effect of Kodak Gold 800 film shot through backwards
Exploring the altered reality of redscale film, this photograph captures a Vancouver alleyway in the surreal, warm glow of Kodak Gold 800 shot backwards, taken with a classic Minolta x300
A warm-toned urban alleyway captured in redscale with a Minolta x300, showcasing the unique effect of Kodak Gold 800 film shot through backwards
Exploring the altered reality of redscale film, this photograph captures a Vancouver alleyway in the surreal, warm glow of Kodak Gold 800 shot backwards, taken with a classic Minolta x300
A warm-toned urban alleyway captured in redscale with a Minolta x300, showcasing the unique effect of Kodak Gold 800 film shot through backwards
Exploring the altered reality of redscale film, this photograph captures a Vancouver alleyway in the surreal, warm glow of Kodak Gold 800 shot backwards, taken with a classic Minolta x300
A warm-toned urban alleyway captured in redscale with a Minolta x300, showcasing the unique effect of Kodak Gold 800 film shot through backwards
Exploring the altered reality of redscale film, this photograph captures a Vancouver alleyway in the surreal, warm glow of Kodak Gold 800 shot backwards, taken with a classic Minolta x300
A warm-toned urban alleyway captured in redscale with a Minolta x300, showcasing the unique effect of Kodak Gold 800 film shot through backwards
Exploring the altered reality of redscale film, this photograph captures a Vancouver alleyway in the surreal, warm glow of Kodak Gold 800 shot backwards, taken with a classic Minolta x300
A warm-toned urban alleyway captured in redscale with a Minolta x300, showcasing the unique effect of Kodak Gold 800 film shot through backwards
Exploring the altered reality of redscale film, this photograph captures a Vancouver alleyway in the surreal, warm glow of Kodak Gold 800 shot backwards, taken with a classic Minolta x300
A warm-toned urban alleyway captured in redscale with a Minolta x300, showcasing the unique effect of Kodak Gold 800 film shot through backwards
Exploring the altered reality of redscale film, this photograph captures a Vancouver alleyway in the surreal, warm glow of Kodak Gold 800 shot backwards, taken with a classic Minolta x300
A warm-toned urban alleyway captured in redscale with a Minolta x300, showcasing the unique effect of Kodak Gold 800 film shot through backwards
Exploring the altered reality of redscale film, this photograph captures a Vancouver alleyway in the surreal, warm glow of Kodak Gold 800 shot backwards, taken with a classic Minolta x300