This is a collection of Picking On Complete Strangers that I have captured throughout the month of April! Mostly captured with Mildred (the Leica M11-D) and the Light Lens Lab 50mm f/1.2 “1966” but the Hasselblad 503 CXI with the CFV 100C digital back and the Leica Monochrom Typ 246 both make an appearance here and there as well :)
April 1st, 2025
First off, we have a quick selection of photos from April 1st (no fooling) captured with the Leica Monochrom Typ 246 from a quick photowander along Vancouver’s Commercial Drive. I think I was wandering from someplace to someplace else, so this was a pretty quick walk, if I remember correctly. I joined up with my good Friend Charlie to wander some more in the back alleys and whatnot off of Commercial Drive, trying to focus on shooting only Black and White, but I did come across a couple of scenes that NEEDED to be captured in Colour.

Camera: Leica M (typ 246) Monochrom
Lens: Light Lens Lab 50mm f/1.2 ASPH “1966”
I couldn’t decide which of these two captures below that I liked better so now you have to do the work and choose and get both versions. :)

Camera: Leica M (typ 246) Monochrom
Lens: Light Lens Lab 50mm f/1.2 ASPH “1966”

Camera: Leica M (typ 246) Monochrom
Lens: Light Lens Lab 50mm f/1.2 ASPH “1966”
April 5th 2025
Here we have some photos from April 5th that I captured as I was quickly walking to meet some folks for drinks and appys at Havana’s on Commercial Drive. I love photos like these as I often walk and will barely skip a step in snagging some quick moments.

Camera: Leica M11-D
Lens: Light Lens Lab 50mm f/1.2 ASPH “1966”
We were meeting up with some folks after wandering about the Equinox Gallery and the Fred Herzog Collection. I have always been a big fan of Herzog’s work, but it was really fun to see it printed in real life and a gallery setting.
I also picked up a couple of Coffee table books to gander at here at home, which was wonderful. I am thinking I am going to start collecting more photo books of the influential photographers that I love to quote and learn about, all ad hoc like. In fact, I should probably research them and their work with some actual curated collections as opposed to the random searching and documentary film watching that I do now :)


Also, part of me is thinking about trying to recreate some of Herzog’s famous photos in modern times, particularly in cases where the streets look the same and the buildings are still standing. I was particularly insufferable to my fellow gallery patrons as I constantly went off on ADHD infodump styles about how the streets looked the same and which buildings still stand today. It is fun to see how some parts of Vancouver haven’t really changed in 50-60 years, well, at least I think that is fun.

Camera: Leica M11-D
Lens: Light Lens Lab 50mm f/1.2 ASPH “1966”

Camera: Leica M11-D
Lens: Light Lens Lab 50mm f/1.2 ASPH “1966”

Camera: Leica M11-D
Lens: Light Lens Lab 50mm f/1.2 ASPH “1966”

Camera: Leica M11-D
Lens: Light Lens Lab 50mm f/1.2 ASPH “1966”
April 14th 2025
Bringing it back to the North Shore, I had about 45 minutes to kill this particular morning before going to the Gym, so I decided that I should kill that time by quickly wandering about Lonsdale Quay and maybe doing Picking On Complete Strangers. I took other Photos, but this is a post about Street Photography from this month, so look for those other photos in other posts.

Camera: Leica M11-D
Lens: Light Lens Lab 50mm f/1.2 ASPH “1966”
I am constantly amazed at just how fickle the photo-wandering gods are. Some days, I can go for a super quick 20-minute walk and somehow capture 15-30 banger photos, but the next day, I can walk about for 3 hours in the exact same location and light and take twice as many photos and capture nothing of consequence.

Camera: Leica M11-D
Lens: Light Lens Lab 50mm f/1.2 ASPH “1966”
I remember reading somewhere that the only thing famous street photographers ALL have in common is that they are all/were prolific shooters. You don’t get to be good at capturing fleeting moments of chaos without doing it a whole, whole, whole lot.

Camera: Leica M11-D
Lens: Light Lens Lab 50mm f/1.2 ASPH “1966”
I don’t care if you are looking at the dead greats like Henri Cartier-Bresson, Gary Winogrand, and Vivian Maier. Or at a list of contemporary greats like Dimpy Bhalotia, Jeremy Paige, or Sasha Rudensky! Dead or alive, THEY ALL SHOT A LOT!

Camera: Leica M11-D
Lens: Light Lens Lab 50mm f/1.2 ASPH “1966”
I mean, she had it all. Was she very prolific? Did she shoot a lot? In total, there’s probably about 150,000 negatives. She shot a lot.- John Maloof “Finding Vivian Maier.”

Camera: Leica M11-D
Lens: Light Lens Lab 50mm f/1.2 ASPH “1966”

Camera: Leica M11-D
Lens: Light Lens Lab 50mm f/1.2 ASPH “1966”
This is all to say that on this day, I captured more “5-star” photos in this 45 minutes than I had for the previous two or three weeks.
April 27th 2025
Speaking of spending the time shooting and exploring and getting nothing of consequence, this particular day I went out with the sole purpose of shooting a roll or three of fun 120 film with the trusty Hasselblad 503Cxi. (which still needs a name BTW Comment suggestions below) I loaded up my A16 back and hit up Vancouver’s Fraser Street.

Camera: Hasselblad 503CXI with its 100 megapixel CFV 100 digital back
Lens: Carl Zeiss planar 80mm f/2.8
Fraser Street is a neighbourhood that I find myself driving around every so often. Every time I do, I say loudly to myself that when I am not in a time crunch, I need to come back and do a dedicated photowander. Only the next time I am thinking about where to go and specifically photowander, I immediately forget that the area even exists, and proceed to hit up Commercial Drive for the 13th time this year.

Camera: Hasselblad 503CXI with its 100 megapixel CFV 100 digital back
Lens: Carl Zeiss planar 80mm f/2.8

Camera: Hasselblad 503CXI with its 100 megapixel CFV 100 digital back
Lens: Carl Zeiss planar 80mm f/2.8
“Not today,” I said, grabbing a light meter, the digital back, loading up some film, and heading over to the untapped photographic wilderness I hoped Fraser Street would be!
For whatever reason, the photowander gods did not bless this as a “5-Star” day.

Camera: Hasselblad 503CXI with its 100 megapixel CFV 100 digital back
Lens: Carl Zeiss planar 80mm f/2.8
My Intent was to trial and test with the digital back and then when I found some thing that I was happy with, take a practiced and proper photo of it with the film back. I even challenged myself to shoot the entire roll of film in this single photo walk.

Camera: Hasselblad 503CXI with its 100 megapixel CFV 100 digital back
Lens: Carl Zeiss planar 80mm f/2.8
Not something I normally am particularly good at doing. I usually shoot rolls of film over the course of many months or years because I, for some reason, treat film as though it is super precious, like the good china at your grandparents house that is locked away in a special cabinet forever waiting for some mysterious and mythical ‘special occasion’ when it will finally get pulled out and gloriously used for that singular purpose for which it was created.

Camera: Hasselblad 503CXI with its 100 megapixel CFV 100 digital back
Lens: Carl Zeiss planar 80mm f/2.8
Today I did not finish this roll of film. In fact I barley shot four film exposures and two of them were when I gave up on Fraser Street and bailed over to Main street. Nothing wrong with the area, I still think that it has a lot of amazing potential, it was just not the day.

Camera: Hasselblad 503CXI with its 100 megapixel CFV 100 digital back
Lens: Carl Zeiss planar 80mm f/2.8

Camera: Hasselblad 503CXI with its 100 megapixel CFV 100 digital back
Lens: Carl Zeiss planar 80mm f/2.8

Camera: Hasselblad 503CXI with its 100 megapixel CFV 100 digital back
Lens: Carl Zeiss planar 80mm f/2.8
April 29th
This was the first day with a new to me Leica M Summilux 75mm f/1.4 lens. I got this bad oscer from the consignment cabinets at Beau Photo at what I feel was a reasonable price. Although it did come without a lens hood, and after looking into the cost of replacing it, even with an aftermarket one, I should have perhaps ‘wheeled and dealed’ just a little bit more. :) (I am kidding of course! The folks down at Beau are always fair and considerate in my humble opinion).

This lens, particularly the made in Canada Version 1, has always been on my list since I first picked up a Leica all the way back in 2012. I love the 75mm focal length on the rangefinders, but like all Leica Summilux lenses, it was too pricey to take a gamble on & buy sight unseen via eBay or another used site like kamerastore.com

Camera: Leica M11-D
Lens: Leica M Summilux 75mm f/1.4
I actually even budgeted the money for this lens way back in the day. I was once even very close to buying a copy way back then, but I always felt it was a lens I needed to try out, feel, and pixel peep at before handing cash over to some dude on the internet. As such, I have been shooting a lot with what I call my consolation 75mm, the Voigtlander Nokton 75mm f/1.5, since I picked it up during the pandemic.

Camera: Leica M11-D
Lens: Leica M Summilux 75mm f/1.4
Don’t get me wrong! The Nokton is a fantastic lens for the money. It is sharp but has an interesting character when shot wide open. It focuses super close for a medium telephoto and is light and small enough for the camera bag. But as awesome as it is, it isn’t a Summilux.

Camera: Leica M11-D
Lens: Leica M Summilux 75mm f/1.4
I wandered about the hood near Beau Photo for an hour or three shooting everything wide open, figuring that maybe 2-3% would actually be in focus, but I was beyond flabbergasted when I loaded the catch of the day on the big screen!

Camera: Leica M11-D
Lens: Leica M Summilux 75mm f/1.4

Camera: Leica M11-D
Lens: Leica M Summilux 75mm f/1.4
Photos are sharp in the ways that you want them to be while still being soft in all the ways you want them to be. It has amazing background separation and Bokeh that would make even Kai W get a half chub.

Camera: Leica M11-D
Lens: Leica M Summilux 75mm f/1.4

Camera: Leica M11-D
Lens: Leica M Summilux 75mm f/1.4

Camera: Leica M11-D
Lens: Leica M Summilux 75mm f/1.4

Camera: Leica M11-D
Lens: Leica M Summilux 75mm f/1.4

Camera: Leica M11-D
Lens: Leica M Summilux 75mm f/1.4

Camera: Leica M11-D
Lens: Leica M Summilux 75mm f/1.4

Camera: Leica M11-D
Lens: Leica M Summilux 75mm f/1.4

Camera: Leica M11-D
Lens: Leica M Summilux 75mm f/1.4

Camera: Leica M11-D
Lens: Leica M Summilux 75mm f/1.4

Camera: Leica M11-D
Lens: Leica M Summilux 75mm f/1.4

Camera: Leica M11-D
Lens: Leica M Summilux 75mm f/1.4

Camera: Leica M11-D
Lens: Leica M Summilux 75mm f/1.4
This isn’t a review of the lens by any means, this was just my first day with it but it didn’t take long to remember why I wanted to buy it. It just has ALL THE CHARACTER! So watch out for more of this one in the future
April 30th, 2025
My second outing with the Summilux 75mm was a super quick photowalk on Lonsdale. And I do mean SUPER quick! I had 15 – 20 minutes to kill before picking up kiddos and running some other errands to jump out and shoot some more with this lens, and I do think that I am in love!

Camera: Leica M11-D
Lens: Leica M Summilux 75mm f/1.4
However, both this and the Light Lens Lab 50mm f/1.2 reissue are brilliant at this shoot wide open, centre focus, but the “soft edges thing” is what lenses like these are sought out for, but I am learning that this is somewhat in conflict with my learned style of framing.
Let me explain.

Camera: Leica M11-D
Lens: Leica M Summilux 75mm f/1.4
I am a big fan of negative space. I very rarely centre frame anything, it is almost always off to the left or the right. Even when shooting square with the Hasselblad, I am a big fan of off-centre negative space.

Camera: Leica M11-D
Lens: Leica M Summilux 75mm f/1.4

Camera: Leica M11-D
Lens: Leica M Summilux 75mm f/1.4

Camera: Leica M11-D
Lens: Leica M Summilux 75mm f/1.4
These lenses are somewhat in conflict with that. If I shoot with the subject to the left or right wide open, I am somewhat guaranteeing that it will not be sharp in the ways that I want it to be. I think that to get the most out of these lenses, I might need to embrace my inner Wes Anderson and compose my shots a bit more centre-framed. More research required.
So That Was April
That was Picking On Complete Strangers for April 2025. If you like this collection and explanations of the situations that led to me taking and sharing the photos, let me know! I would like to share more of these.
Until then be sure to comment what your favorite street photo of the month was, or share your best of from April!