A couple of weeks ago, I grabbed Doogie the Leica M-D and headed downtown for another classic photowalk. This time, I was focused on embracing the grit and chaos of urban life, capturing those fleeting moments that only the city can deliver. With the Light Lens Lab 50mm lens on board, I was ready for a mix of experimentation and some good old-fashioned street photography.

Construction workers on a busy downtown street corner at West Cordova and Seymour.
A snapshot of downtown life—workers in high-visibility gear managing a construction site amid the city’s pulse.
Camera: Leica M-D (typ 262) 
Lens: Light Lens Lab 50mm f/1.2 ASPH “1966”

The Morning Starts with a Crosswalk

The day began with a scene that perfectly sets the tone for urban wandering: a person in a purple jacket standing at a crosswalk, framed by the blur of city life. It’s these in-between moments that remind me why I love street photography so much. No staging, no second takes—just the raw rhythm of the city unfolding in front of you.

Close-up of workers in high-visibility gear working at a downtown construction site.
Hard hats and teamwork on display at a bustling construction site in Vancouver’s core.
Camera: Leica M-D (typ 262) 
Lens: Light Lens Lab 50mm f/1.2 ASPH “1966”
Woman walking two small dogs past a shop with a window listing music genres.
Two pups steal the show as they strut by a shop advertising an impressive list of music genres.
Camera: Leica M-D (typ 262) 
Lens: Light Lens Lab 50mm f/1.2 ASPH “1966”

Down into the Subway

From there, I wandered into the Granville Station. Subway stations are like urban theatres, full of subtle performances happening around escalators and directional signs. A commuter in a patterned skirt and oversized jacket walked beneath a sign that read “Georgia and Granville Streets.” The clean lines and layered geometry of the space added to the story.

A woman walks through a subway station beneath a sign that reads "Georgia and Granville Streets," with escalators and stairs
A woman walks through a subway station beneath a directional sign with escalators and stairs in the background.
Camera: Leica M-D (typ 262) 
Lens: Light Lens Lab 50mm f/1.2 ASPH “1966”
Man walking in front of a historic Gastown building with a wet brick sidewalk.
Historic architecture meets modern life as rain-slicked bricks reflect the bustle of Gastown.
Camera: Leica M-D (typ 262) 
Lens: Light Lens Lab 50mm f/1.2 ASPH “1966”

The Sidewalk Ballet

Downtown sidewalks are where the action is. From a hooded figure leaning against a bike rack to workers on ladders adjusting signage on a hotel canopy, every scene felt like a small, self-contained story. The hotel entrance, with its curved canopy and symmetrical composition, added a touch of structured beauty to the otherwise chaotic city flow.

Man seated on a bench in Gastown, using his phone, with a "Pro" advertisement in the background.
A peaceful moment on a busy Gastown street as a man takes a break with his phone.
Camera: Leica M-D (typ 262) 
Lens: Light Lens Lab 50mm f/1.2 ASPH “1966”
Crowd gathered around the Gastown steam clock with tourists taking photos.
The iconic steam clock draws a crowd, cameras ready to capture its charm.
Camera: Leica M-D (typ 262) 
Lens: Light Lens Lab 50mm f/1.2 ASPH “1966”
Man in a yellow plaid shirt seated at a cafe window with a FedEx van visible outside.
A quiet moment of focus inside a bustling downtown cafe, framed by urban reflections.
Camera: Leica M-D (typ 262) 
Lens: Light Lens Lab 50mm f/1.2 ASPH “1966”
Man seated on a bench next to a Cloud eBikes rental bike in front of a storefront for lease.
A lone figure pauses beside a parked eBike, framed by an empty storefront for lease.
Camera: Leica M-D (typ 262) 
Lens: Light Lens Lab 50mm f/1.2 ASPH “1966”
Emergency responders assisting a person on the sidewalk, with bystanders observing.
A moment of care on Granville Street as first responders assist someone in need.
Camera: Leica M-D (typ 262) 
Lens: Light Lens Lab 50mm f/1.2 ASPH “1966”

A Skybridge Escape

Every photowalk needs a breather, and I found mine in a skybridge overlooking the city. The framing of the windows and the repetitive red beams gave this space a sense of quiet structure. Two women walked ahead, their presence grounding the otherwise expansive space. It felt like a moment of stillness before diving back into the busy streets.

Two women walk across a pedestrian skybridge with windows framing a view of a parking lot and distant buildings.
Two women walk across a pedestrian skybridge with expansive views through large windows.
Camera: Leica M-D (typ 262) 
Lens: Light Lens Lab 50mm f/1.2 ASPH “1966”

Grit and Texture in the Parking Lot

One of my favourite captures of the day came from a weathered parking lot. The faded yellow paint warned “Danger: Obey Crossing Signal,” and the cracked pavement underfoot told its own tale. Pedestrians wandered through the space, navigating the signs and markings like participants in an unintentional art installation.

People walk through a parking lot marked with weathered "Danger" and "Obey Crossing Signal" signs.
People walk through a parking lot with faded directional markings and caution signs.
Camera: Leica M-D (typ 262) 
Lens: Light Lens Lab 50mm f/1.2 ASPH “1966”
Two workers on ladders install signage on the canopy of a hotel entrance.
Two workers on ladders adjust the signage on a hotel canopy entrance.
Camera: Leica M-D (typ 262) 
Lens: Light Lens Lab 50mm f/1.2 ASPH “1966”
A person in a hoodie leans against a metal bike rack on a bustling city sidewalk with traffic and buildings in the background.
A person in a hoodie leans against a metal bike rack, with downtown traffic and buildings in the background.
Camera: Leica M-D (typ 262) 
Lens: Light Lens Lab 50mm f/1.2 ASPH “1966”

Street Photography and “Picking on Complete Strangers”

As always, these photowalks are about more than just architecture and texture. I’m constantly adding to my “Picking On Complete Strangers” project, where I capture candid slices of urban life. Like the person resting on a bench in front of a “For Lease” sign or the pedestrian lost in their phone on the sidewalk, these moments celebrate the unnoticed details of everyday life. There’s an honesty to street photography that keeps me hooked—the fleeting expressions, the postures, the way people interact (or don’t) with their surroundings.

A person wearing a purple jacket and a black hat stands on a crosswalk, with a city street and storefronts visible in the background.
A person in a purple jacket and black hat waits at a crosswalk with urban storefronts and traffic in the background.
Camera: Leica M-D (typ 262) 
Lens: Light Lens Lab 50mm f/1.2 ASPH “1966”

Finding the Grit and the Glory

Whether it was construction workers in their fluorescent vests, the neon glow of city signage, or even the reflections on a coffee shop window, the walk was packed with the kind of scenes that feel both mundane and magical. I’m always drawn to the interplay of gritty urban textures and the soft human stories tucked within them.

These walks remind me why I love carrying a camera through the city. There’s no end goal, no checklist of must-have shots—just a chance to capture what catches my eye and tells a little piece of the larger story. Each photo is a fragment, a heartbeat in the city’s rhythm, and I wouldn’t have it any other way.